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1st Writing and 1st Metallurgy in the Vinča Culture - Southeastern Europe (modern Serbia, Romania, and Bulgaria)
In "Encrypted Reality: Interpreting History's Repeating Patterns," I propose a radical reinterpretation of history, asserting that our past has been meticulously manipulated and chronologically compressed by a clandestine intelligence collective I call "the Watch." This work challenges conventional historical scholarship by suggesting that recurring patterns and subtle inconsistencies point to a deliberate, "orchestrated hand" guiding historical narratives. My investigation focuses on the Renaissance (14th-17th centuries) as a pivotal period for the Watch's operations, with Leon Battista Alberti (1404–1472), a polymath I identify as "G," acting as a multifaceted operative who strategically shaped history across continents under various aliases. Alberti's work, including his codification of linear perspective and pioneering cryptography, served as crucial tools in the Watch's agenda. The invention of the Printing Press was shrewdly capitalized upon by the Watch to disseminate fabricated historical narratives and "counterfeits," with their influence cemented through control over key institutions like libraries, universities, and religious bodies, acting as "gatekeepers of knowledge."
A central tenet of my thesis is that seemingly distinct past epidemics, such as the Plague of Athens, are "phantom reflections" or "fractal copies" of the 14th-century Black Death, which I posit as the "sole true large-scale viral pandemic" that triggered widespread societal transformation. This re-envisioned history is analogous to a cryptogram, solvable through "frequency analysis." I extensively cite Anatoly Fomenko's "New Chronology," which asserts that many Bronze Age events were medieval fabrications from the 15th century onward. The integration of Fomenko's chronology with Julian Jaynes's Bicameral Mind theory suggests that humanity's shift to self-aware consciousness occurred during the Renaissance, making behavioral modernity and the historical record far more recent constructs than conventionally believed. This intellectual fusion implies that humans in the Medieval period lacked modern self-awareness, instead being guided by auditory hallucinations from a "god" hemisphere until societal collapse, specifically the Black Death, forced the emergence of introspective consciousness.
My work also delves into Alberti's connections with figures like Leonardo da Vinci and the Medici family, suggesting that "rediscoveries" of ancient knowledge, such as double-entry bookkeeping, were intentional reintroductions by the Watch to control narratives and create an "illusion of progress." I propose that Nezahualcoyotl and Pachacuti were aliases of "G," whose influence extended across the Americas, and that the Voynich Manuscript's undeciphered script may contain enciphered Nahuatl, linking it directly to G's operations. The recurring "hero's journey" narrative and shared myths like the great flood are attributed to the Watch's deliberate design to standardize educational systems and maintain societal control. Ultimately, I conclude that history is a meticulously crafted cryptogram, with the Watch's profound influence reflected in modern global oversight networks like the "5 Eyes" alliance, signifying an enduring pursuit of universal awareness and strategic guidance. This interpretation suggests that history is a dynamic, manipulated process, serving as a diagnostic tool to understand humanity's susceptibility to control and our tendency to repeat patterns due to "enforced forgetfulness."