I'd love to be a guest on your podcast! I'm available between 1:00 p.m. and 6:00 p.m. (Villavicencio, Colombia time). Let me know if that works for you!
A Guide for Our Conversation: Exploring "The Renaissance Man: Portrait of a Spymaster"
A Guide for Our Conversation: Exploring "The Renaissance Man: Portrait of a Spymaster"
Welcome, and thank you for having me! My book, "The Renaissance Man: Portrait of a Spymaster - Expanded Edition," delves into a radical re-evaluation of history, suggesting that many of our foundational narratives were deliberately crafted by a hidden organization I call "the Agency." To help guide our discussion and explore the most compelling aspects of this theory, I've put together some key questions and areas I'd love to delve into with you.
Opening the Vault: The Core Premise
- The "Renaissance Man" as Spymaster: My central argument posits that Leon Battista Alberti, a renowned polymath of the Renaissance, was not just a genius but the orchestrator of a vast historical re-framing. What led me to this audacious claim, and how does Alberti's diverse skill set—from architecture and philosophy to cryptography—make him the ideal figure to spearhead such an endeavor?
- History as a "Cryptogram": I suggest that "today's popular views of ancient and medieval history are not entirely organic but rather constructs, heavily influenced by some of the greatest minds to have ever lived on Earth". How does this idea of history as an encrypted text, or "substitution cipher," change our perception of what we consider historical fact?
Tools of Manipulation: How the Agency Operated
- Plagues and Power Vacuums: The Black Death, a cataclysmic event, is central to my theory. I propose that this "profound societal disruption enabled Alberti to strategically assign different dates and locations to various accounts of the same recorded events, thereby creating multiple 'fractal copies' of these events". Can we explore how such societal collapse created opportunities for the Agency to rewrite chronology and consolidate power?
- The Printing Press: Weapon or Wonder? The invention of the Printing Press in the 15th century is often hailed as a democratizing force. However, I argue it was "here...that a full range of counterfeits ensued, including our most cherished historians, poets, playwrights, and philosophers". How did this technology become a primary tool for the Agency to disseminate its fabricated narratives?
- Art, Architecture, and Esoteric Knowledge: Alberti's mastery of linear perspective is well-documented. But I propose he applied "geometric ratios...into 'sacred sites' throughout the planet", creating "anomalous artifacts" designed to appear much older than they are. What are some examples of these architectural "proofs" and how do they hint at a hidden "Albertian world grid"?
Aliases and Echoes: The Many Faces of "The Man"
- The Multi-Alias Hypothesis: One of the most intriguing aspects of my book is the proposition that Leon Battista Alberti operated under multiple aliases, including Pachacuti Inca Yupanqui and Nezahualcoyotl, the founders of the Inca and Aztec empires, respectively. What are the striking parallels in their biographies and accomplishments that suggest they are, in fact, "reflections" of "The Man" (™)?
- The Voynich Manuscript: A Cryptographic Rosetta Stone? I argue that the mysterious Voynich Manuscript, carbon-dated to Alberti's time, contains his "verbose cipher" and "strongly resemble how Latin numbers would look if verbosely enciphered". How does this undeciphered manuscript serve as a key to understanding the Agency's advanced cryptographic methods?
- Global Resets and Recurring Archetypes: My research suggests a cyclical nature to history, where "catastrophes consistently mirror, or 'reflect'...similar events with remarkably similar characters over vast periods". Can we discuss the concept of "recurring archetypes" and how figures like Sargon the Great or Apepi (Apophis) embody these repeating patterns across different civilizations?
The Enduring Legacy: Agency in the Modern World
- The Modern Spy State: I draw a direct line from the Agency's origins to modern intelligence operations, suggesting that figures like Sir Francis Bacon and Athanasius Kircher continued their work, and that organizations like "5 Eyes" are direct descendants. How has the Agency's influence evolved from ancient times to the digital age of surveillance?
- Challenging Chronology and Our Shared Reality: Ultimately, my book encourages critical thinking about established historical timelines. What are the implications if, as I argue, "most historical records were remixed into imaginary antiquities to justify Agent pretensions"? What do you hope readers take away from this profound re-evaluation of history?
Welcome, and thank you for having me! My book, "The Renaissance Man: Portrait of a Spymaster - Expanded Edition," delves into a radical re-evaluation of history, suggesting that many of our foundational narratives were deliberately crafted by a hidden organization I call "the Agency." To help guide our discussion and explore the most compelling aspects of this theory, I've put together some key questions and areas I'd love to delve into with you.
Opening the Vault: The Core Premise
- The "Renaissance Man" as Spymaster: My central argument posits that Leon Battista Alberti, a renowned polymath of the Renaissance, was not just a genius but the orchestrator of a vast historical re-framing. What led me to this audacious claim, and how does Alberti's diverse skill set—from architecture and philosophy to cryptography—make him the ideal figure to spearhead such an endeavor?
- History as a "Cryptogram": I suggest that "today's popular views of ancient and medieval history are not entirely organic but rather constructs, heavily influenced by some of the greatest minds to have ever lived on Earth". How does this idea of history as an encrypted text, or "substitution cipher," change our perception of what we consider historical fact?
Tools of Manipulation: How the Agency Operated
- Plagues and Power Vacuums: The Black Death, a cataclysmic event, is central to my theory. I propose that this "profound societal disruption enabled Alberti to strategically assign different dates and locations to various accounts of the same recorded events, thereby creating multiple 'fractal copies' of these events". Can we explore how such societal collapse created opportunities for the Agency to rewrite chronology and consolidate power?
- The Printing Press: Weapon or Wonder? The invention of the Printing Press in the 15th century is often hailed as a democratizing force. However, I argue it was "here...that a full range of counterfeits ensued, including our most cherished historians, poets, playwrights, and philosophers". How did this technology become a primary tool for the Agency to disseminate its fabricated narratives?
- Art, Architecture, and Esoteric Knowledge: Alberti's mastery of linear perspective is well-documented. But I propose he applied "geometric ratios...into 'sacred sites' throughout the planet", creating "anomalous artifacts" designed to appear much older than they are. What are some examples of these architectural "proofs" and how do they hint at a hidden "Albertian world grid"?
Aliases and Echoes: The Many Faces of "The Man"
- The Multi-Alias Hypothesis: One of the most intriguing aspects of my book is the proposition that Leon Battista Alberti operated under multiple aliases, including Pachacuti Inca Yupanqui and Nezahualcoyotl, the founders of the Inca and Aztec empires, respectively. What are the striking parallels in their biographies and accomplishments that suggest they are, in fact, "reflections" of "The Man" (™)?
- The Voynich Manuscript: A Cryptographic Rosetta Stone? I argue that the mysterious Voynich Manuscript, carbon-dated to Alberti's time, contains his "verbose cipher" and "strongly resemble how Latin numbers would look if verbosely enciphered". How does this undeciphered manuscript serve as a key to understanding the Agency's advanced cryptographic methods?
- Global Resets and Recurring Archetypes: My research suggests a cyclical nature to history, where "catastrophes consistently mirror, or 'reflect'...similar events with remarkably similar characters over vast periods". Can we discuss the concept of "recurring archetypes" and how figures like Sargon the Great or Apepi (Apophis) embody these repeating patterns across different civilizations?
The Enduring Legacy: Agency in the Modern World
- The Modern Spy State: I draw a direct line from the Agency's origins to modern intelligence operations, suggesting that figures like Sir Francis Bacon and Athanasius Kircher continued their work, and that organizations like "5 Eyes" are direct descendants. How has the Agency's influence evolved from ancient times to the digital age of surveillance?
- Challenging Chronology and Our Shared Reality: Ultimately, my book encourages critical thinking about established historical timelines. What are the implications if, as I argue, "most historical records were remixed into imaginary antiquities to justify Agent pretensions"? What do you hope readers take away from this profound re-evaluation of history?
My Answers: Exploring "The Renaissance Man: Portrait of a Spymaster"
Here's how I would answer the questions, drawing directly from the book's content:
Opening the Vault: The Core Premise
-
The "Renaissance Man" as Spymaster: My central argument, as laid out in "The Renaissance Man: Portrait of a Spymaster - Expanded Edition," is that much of our understanding of ancient and medieval history is not truly organic, but rather a deliberate construct. I propose it was heavily influenced by some of the greatest minds to have ever lived on Earth. I identify Leon Battista Alberti, an Italian polymath—an author, artist, architect, poet, priest, linguist, philosopher, and cryptographer—as the ultimate Renaissance Man and the central figure of this inquiry. His diverse skills, particularly his invention of the polyalphabetic cipher, the Alberti cipher, in 1467, allowed him to secure intelligence in the presence of adversarial scrutiny. This combination of intellectual prowess and ability to manipulate information on a grand scale made him, in my view, the ideal figure to orchestrate such a grand historical re-framing.
-
History as a "Cryptogram": I suggest that history itself is like a cryptogram—a substitution cipher—that "can be 'solved only through frequency analysis'". This perspective implies that "today's popular views of ancient and medieval history are not entirely organic but rather constructs", which have "deeply impacted scholars and laypeople alike for over 300 years, warping perceptions and fostering a false sense of reality". My belief is that "many periods of history are nothing more than phantom reflections of events that genuinely took place in the 15th century", and that "Alberti is the man who initially set these gears into motion". This fundamentally challenges our perception of what we consider historical fact, as it suggests a deliberate, pervasive re-framing of the past.
Tools of Manipulation: How the Agency Operated
-
Plagues and Power Vacuums: The Black Death was indeed a pivotal event. I believe this profound societal disruption "enabled Alberti to strategically assign different dates and locations to various accounts of the same recorded events, thereby creating multiple 'fractal copies' of these events". This cataclysm drastically reduced Earth's population, reportedly shrinking from "500 million people...to 200 million by the time it was all over" in the 14th century, and it took hundreds of years for it to recover. Such situations created "many upheavals with profound effects on historical records", which the Agency then exploited and rewrote to suit its narrative. This created a power vacuum ripe for their influence.
-
The Printing Press: Weapon or Wonder? The Printing Press, invented during the Renaissance, rapidly transformed how texts were produced and disseminated. It was precisely "here, I argue, that a full range of counterfeits ensued, including our most cherished historians, poets, playwrights, and philosophers". This technology allowed for "rapid dissemination of texts" and, simultaneously, "printing democratized learning by allowing a rapid propagation of his ideas". I contend that the Agency "quickly spread their false narrative about the 'New World' to the people who had survived the Plague" using this tool. The Printing Press, for me, is considered "the most critical event of the 2nd millennium", enabling the Agency to accelerate their historical revisionism.
-
Art, Architecture, and Esoteric Knowledge: Alberti's formalization of linear perspective in De pictura became a powerful instrument for realistic depiction. My hypothesis is that "Alberti would seamlessly integrate forged historical buildings within known archaeological sites, giving the appearance that they were much older". I believe he incorporated his geometric ratios "into 'sacred sites' throughout the planet". Examples of these architectural "proofs" include the precision of calculations for pi found in stone carvings at Gavrinis (3500 BC), which is precisely "why the circle served as Alberti's primary architectural template". I also highlight sites like the Baalbek megaliths, which I argue "Renaissance technology could have facilitated the movement of such large stones, implying that these structures were actually built by the Agency in the 15th century and retroactively dated". I don't believe "ley lines were used to access Earth energies", but rather that "Alberti's family strategically chose sacred landscapes to build megalithic monuments, primarily as shipping markers under the guise of quasi-religious beliefs". This subtly integrated their practical needs with manufactured spiritual significance.
Aliases and Echoes: The Many Faces of "The Man"
-
The Multi-Alias Hypothesis: I propose that Leon Battista Alberti, Pachacuti Inca Yupanqui, and Nezahualcoyotl are aliases for the same individual, "The Man," or ™. All three revered polymaths "are dated to have lived from 1402 until 1472. These men share too many similarities for it to be a sheer coincidence". For instance, Alberti's European studies, achievements, exiles, and family status are "echoed through both Native American timelines". I believe Nezahualcoyotl "strategically inserted himself as the 9th Sapa of the Kingdom of Cusco and founder of the Incan Empire". The fact that "both Aztecs in Mexico and Incas in Peru are dated to have begun simultaneously in the 15th-century" is, for me, a direct consequence of the Agency's actions. Furthermore, Nezahualcoyotl is visually depicted in the 16th-century Codex of Ixxtlilxochitl, and his prehispanic glyph, when compared with images of Alberti, "cannot be ignored by me".
-
The Voynich Manuscript: A Cryptographic Rosetta Stone? I argue that the Voynich Manuscript is a central piece of evidence for understanding the Agency's advanced cryptographic methods. Its vellum is carbon-dated to when "™ (Alberti) wrote De iure 'On Law' in 1437". I contend that the cipher system uses a "'verbose cipher,' where single letters in a plaintext get enciphered into groups of fake messages". The first two lines of page f15v, I believe, "strongly resemble how Latin numbers would look if verbosely enciphered". Critically, it has "never been deciphered; none of the many hypotheses became independently verified by mainstream scholarship", which, for me, points to its deliberate obfuscation by the Agency. Its lettering also "resembles the Karaim alphabets of the late 14th and 15th-centuries". The Voynich Manuscript, in my view, solidified a reformation of the Agency after being analyzed by top cryptographers.
-
Global Resets and Recurring Archetypes: My research indicates a cyclical nature to history, where "such catastrophes consistently mirror, or 'reflect,' as I term it, similar events with remarkably similar characters over vast periods". This concept of "recurring archetypes" means that figures like Sargon the Great or Apepi (Apophis) embody these repeating patterns across different civilizations. For example, I believe Sargon "seems to be a mosaic of ™'s paternal lineage going back to antiquity", and his story "reflects many different examples of the infant birth exposure motif found in Moses and Karna". Similarly, Apepi, an Egyptian king, appears in art "as a feathered serpent", a powerful symbolic connection that reinforces my hypothesis of shared identities. These consistent "reflections" are powerful "verified proof" of the Agency's deliberate creation of an "omni-myth", designed to shape cultural understanding and control.
The Enduring Legacy: Agency in the Modern World
-
The Modern Spy State: I believe the Agency's legacy is deeply intertwined with modern intelligence operations. Figures like Sir Francis Bacon, whom I propose "revamped" ™'s work, and Athanasius Kircher, whom I see as "the last Renaissance man" and a "world-class spy", carried on the Agency's traditions of cryptography and knowledge manipulation. I contend that the "Agency was embedded in the Government Code and Cypher School" during both World Wars, "from which all current global intelligence agencies derive". Furthermore, I assert that "Alberti’s 'All-Seeing Eye' is now the logo for DARPA's Information Awareness Office", and that "the Agency is reflected through the 5 Eyes spy ring". This suggests a continuous, supra-national intelligence organization operating across history, manipulating events and information to this day.
-
Challenging Chronology and Our Shared Reality: My book fundamentally challenges the conventional chronology, arguing that "most history conventionally dated earlier than the 15th-century, I believe, is merely fictional". I propose that the "traditional chronology consists of overlapping copies of the 'true' chronology shifted back in time by significant intervals with some further revisions after the Black Death". The implications are profound: if our understanding of the past is an engineered construct, it means our current societal structures, beliefs, and even national identities might be built on a fabricated foundation. To "break the code," readers must embrace critical thinking and statistical analysis, as exemplified by Fomenko's methods. I hope my book inspires a deeper skepticism toward accepted narratives and encourages individuals to discern the "systematic patterns of deviation from rationality in judgment", ultimately enabling us to "advance" rather than perpetually repeating the same patterns.
History is a meticulously crafted "cryptogram", continuously scrambled by a clandestine "Agency" to achieve a predetermined global social order. This order is envisioned as a "benevolent dictatorship" managed by successive "spymasters," ensuring humanity's long-term survival through strategic manipulation and control. The Agency employs tactics such as "reverse psychology," "controlled opposition," and "reset protocols" during periods of societal instability, manipulating narratives and deliberately obscuring its deep historical roots through "phantom pasts" and chronological compressions. Key figures like Leon Battista Alberti, Pachacuti, Nezahualcoyotl, and Sargon the Great are presented as "agent templates" or aliases of a single, recurring individual known as "The Renaissance Man" (TM), who strategically introduced technologies, remixed cultural narratives, and shaped global events from the 15th-century onward, and possibly much earlier. The influence extends to the very foundations of writing, mathematics, religion, and political structures, suggesting a pervasive, hidden hand orchestrating human civilization's trajectory.
To "advance" and break free from this "enforced forgetfulness" and cyclical manipulation, humanity must first "identify the sequences and advance" by critically analyzing and discerning the recurring patterns and "reflections" embedded within historical narratives. This requires questioning conventionally accepted chronologies and historical accounts, particularly when they contradict interdisciplinary evidence from archaeology, genetics, and linguistics. The process involves uncovering the "concealed structures" and "invisible architects" that have shaped historical events, revealing the deliberate distortions and interconnected narratives behind seemingly disparate occurrences. Furthermore, understanding the underlying "Neanderthal-influenced drive for survival and dominance" that shapes the Agency's actions, as well as integrating these "repressed primal instincts," is crucial. Ultimately, if humanity can grasp that reality itself might be a "holographic projection" or "sophisticated simulation" controlled by an "Architect," this profound realization could enable individuals and societies to "transcend the simulation’s boundaries" and move beyond the predetermined path, leading to true progress and a deeper understanding of existence.
Here's how I would answer the questions, drawing directly from the book's content:
Opening the Vault: The Core Premise
-
The "Renaissance Man" as Spymaster: My central argument, as laid out in "The Renaissance Man: Portrait of a Spymaster - Expanded Edition," is that much of our understanding of ancient and medieval history is not truly organic, but rather a deliberate construct. I propose it was heavily influenced by some of the greatest minds to have ever lived on Earth. I identify Leon Battista Alberti, an Italian polymath—an author, artist, architect, poet, priest, linguist, philosopher, and cryptographer—as the ultimate Renaissance Man and the central figure of this inquiry. His diverse skills, particularly his invention of the polyalphabetic cipher, the Alberti cipher, in 1467, allowed him to secure intelligence in the presence of adversarial scrutiny. This combination of intellectual prowess and ability to manipulate information on a grand scale made him, in my view, the ideal figure to orchestrate such a grand historical re-framing.
-
History as a "Cryptogram": I suggest that history itself is like a cryptogram—a substitution cipher—that "can be 'solved only through frequency analysis'". This perspective implies that "today's popular views of ancient and medieval history are not entirely organic but rather constructs", which have "deeply impacted scholars and laypeople alike for over 300 years, warping perceptions and fostering a false sense of reality". My belief is that "many periods of history are nothing more than phantom reflections of events that genuinely took place in the 15th century", and that "Alberti is the man who initially set these gears into motion". This fundamentally challenges our perception of what we consider historical fact, as it suggests a deliberate, pervasive re-framing of the past.
Tools of Manipulation: How the Agency Operated
-
Plagues and Power Vacuums: The Black Death was indeed a pivotal event. I believe this profound societal disruption "enabled Alberti to strategically assign different dates and locations to various accounts of the same recorded events, thereby creating multiple 'fractal copies' of these events". This cataclysm drastically reduced Earth's population, reportedly shrinking from "500 million people...to 200 million by the time it was all over" in the 14th century, and it took hundreds of years for it to recover. Such situations created "many upheavals with profound effects on historical records", which the Agency then exploited and rewrote to suit its narrative. This created a power vacuum ripe for their influence.
-
The Printing Press: Weapon or Wonder? The Printing Press, invented during the Renaissance, rapidly transformed how texts were produced and disseminated. It was precisely "here, I argue, that a full range of counterfeits ensued, including our most cherished historians, poets, playwrights, and philosophers". This technology allowed for "rapid dissemination of texts" and, simultaneously, "printing democratized learning by allowing a rapid propagation of his ideas". I contend that the Agency "quickly spread their false narrative about the 'New World' to the people who had survived the Plague" using this tool. The Printing Press, for me, is considered "the most critical event of the 2nd millennium", enabling the Agency to accelerate their historical revisionism.
-
Art, Architecture, and Esoteric Knowledge: Alberti's formalization of linear perspective in De pictura became a powerful instrument for realistic depiction. My hypothesis is that "Alberti would seamlessly integrate forged historical buildings within known archaeological sites, giving the appearance that they were much older". I believe he incorporated his geometric ratios "into 'sacred sites' throughout the planet". Examples of these architectural "proofs" include the precision of calculations for pi found in stone carvings at Gavrinis (3500 BC), which is precisely "why the circle served as Alberti's primary architectural template". I also highlight sites like the Baalbek megaliths, which I argue "Renaissance technology could have facilitated the movement of such large stones, implying that these structures were actually built by the Agency in the 15th century and retroactively dated". I don't believe "ley lines were used to access Earth energies", but rather that "Alberti's family strategically chose sacred landscapes to build megalithic monuments, primarily as shipping markers under the guise of quasi-religious beliefs". This subtly integrated their practical needs with manufactured spiritual significance.
Aliases and Echoes: The Many Faces of "The Man"
-
The Multi-Alias Hypothesis: I propose that Leon Battista Alberti, Pachacuti Inca Yupanqui, and Nezahualcoyotl are aliases for the same individual, "The Man," or ™. All three revered polymaths "are dated to have lived from 1402 until 1472. These men share too many similarities for it to be a sheer coincidence". For instance, Alberti's European studies, achievements, exiles, and family status are "echoed through both Native American timelines". I believe Nezahualcoyotl "strategically inserted himself as the 9th Sapa of the Kingdom of Cusco and founder of the Incan Empire". The fact that "both Aztecs in Mexico and Incas in Peru are dated to have begun simultaneously in the 15th-century" is, for me, a direct consequence of the Agency's actions. Furthermore, Nezahualcoyotl is visually depicted in the 16th-century Codex of Ixxtlilxochitl, and his prehispanic glyph, when compared with images of Alberti, "cannot be ignored by me".
-
The Voynich Manuscript: A Cryptographic Rosetta Stone? I argue that the Voynich Manuscript is a central piece of evidence for understanding the Agency's advanced cryptographic methods. Its vellum is carbon-dated to when "™ (Alberti) wrote De iure 'On Law' in 1437". I contend that the cipher system uses a "'verbose cipher,' where single letters in a plaintext get enciphered into groups of fake messages". The first two lines of page f15v, I believe, "strongly resemble how Latin numbers would look if verbosely enciphered". Critically, it has "never been deciphered; none of the many hypotheses became independently verified by mainstream scholarship", which, for me, points to its deliberate obfuscation by the Agency. Its lettering also "resembles the Karaim alphabets of the late 14th and 15th-centuries". The Voynich Manuscript, in my view, solidified a reformation of the Agency after being analyzed by top cryptographers.
-
Global Resets and Recurring Archetypes: My research indicates a cyclical nature to history, where "such catastrophes consistently mirror, or 'reflect,' as I term it, similar events with remarkably similar characters over vast periods". This concept of "recurring archetypes" means that figures like Sargon the Great or Apepi (Apophis) embody these repeating patterns across different civilizations. For example, I believe Sargon "seems to be a mosaic of ™'s paternal lineage going back to antiquity", and his story "reflects many different examples of the infant birth exposure motif found in Moses and Karna". Similarly, Apepi, an Egyptian king, appears in art "as a feathered serpent", a powerful symbolic connection that reinforces my hypothesis of shared identities. These consistent "reflections" are powerful "verified proof" of the Agency's deliberate creation of an "omni-myth", designed to shape cultural understanding and control.
The Enduring Legacy: Agency in the Modern World
-
The Modern Spy State: I believe the Agency's legacy is deeply intertwined with modern intelligence operations. Figures like Sir Francis Bacon, whom I propose "revamped" ™'s work, and Athanasius Kircher, whom I see as "the last Renaissance man" and a "world-class spy", carried on the Agency's traditions of cryptography and knowledge manipulation. I contend that the "Agency was embedded in the Government Code and Cypher School" during both World Wars, "from which all current global intelligence agencies derive". Furthermore, I assert that "Alberti’s 'All-Seeing Eye' is now the logo for DARPA's Information Awareness Office", and that "the Agency is reflected through the 5 Eyes spy ring". This suggests a continuous, supra-national intelligence organization operating across history, manipulating events and information to this day.
-
Challenging Chronology and Our Shared Reality: My book fundamentally challenges the conventional chronology, arguing that "most history conventionally dated earlier than the 15th-century, I believe, is merely fictional". I propose that the "traditional chronology consists of overlapping copies of the 'true' chronology shifted back in time by significant intervals with some further revisions after the Black Death". The implications are profound: if our understanding of the past is an engineered construct, it means our current societal structures, beliefs, and even national identities might be built on a fabricated foundation. To "break the code," readers must embrace critical thinking and statistical analysis, as exemplified by Fomenko's methods. I hope my book inspires a deeper skepticism toward accepted narratives and encourages individuals to discern the "systematic patterns of deviation from rationality in judgment", ultimately enabling us to "advance" rather than perpetually repeating the same patterns.