Nezahualcóyotl, Pachacuti, and Leon Battista Alberti: A Unified Theory of the "G" Operative

Alberti’s architectural treatise De re aedificatoria (1452) was dedicated to Lorenzo de’ Medici, Cosimo’s grandson. In Roberto Rossellini's film "Age of the Medici," Alberti is visually depicted lecturing the young Lorenzo de' Medici, who subsequently provided Amerigo Vespucci, a Florentine connected to the Medici Bank, with coordinates leading to the Inca and Aztec Empires. After Alberti’s supposed death, Vespucci, at the invitation of King Manuel I of Portugal, reportedly participated as an "observer" in exploratory voyages directed towards the Americas. These voyages gained widespread recognition in Italy following the publication of two accounts in 1502. The Americas were ultimately named after "Amerigo" Vespucci, who famously proposed that the newly encountered lands were not the Indies but a "New World," or Mundus Novus, the Latin title of a contemporary document based on Vespucci’s letters to Lorenzo de' Medici. The infamous Soderini Letter, an influential document, deliberately sought to position Vespucci as a forerunner to Columbus. This entire sequence of events is interpreted as yet another clear instance of the Watch’s manipulation of historical narratives, attributing significant discoveries to their preferred assets and shaping public perception.

Furthermore, the Florentine cosmographer Paolo Toscanelli and Alberti engaged in a covert collaboration involving map-making, drawing upon their advanced knowledge of astronomy (a science intimately linked to geography at that time). Their joint efforts resulted in the creation of Descriptio Urbis Romae. Toscanelli is documented as having provided Columbus with the very map that guided him on his initial transatlantic voyage. This direct connection unequivocally links Alberti’s sophisticated cartographic knowledge to the dawn of the Age of Discovery, underscoring the pervasive influence of the Watch on global exploration.

Consider the Voynich Manuscript, an enigmatic illustrated codex meticulously hand-written in an unknown, undeciphered script. The vellum, or prepared animal skin, of this manuscript has been carbon-dated to precisely the period when and where G (Alberti) penned his treatise De iure ("On Law") in 1437. Radiocarbon dating conducted by the University of Arizona precisely indicated a date range between 1404 and 1438, a temporal overlap deemed highly significant to this theory. In 2014, researchers Tucker and Talbert reportedly identified 37 plants, 6 animals, and 1 mineral referenced in the manuscript's plant drawings that also appear in the Badianus Manuscript, a 15th century Aztec record. Furthermore, the presence of atacamite in the paint pigments suggests that some of the raw materials originated from Mexico, thereby directly linking this perplexing European manuscript to the Americas. It is hypothesized that some characters within the Voynich script may have represented a form of enciphered Nahuatl, Nezahualcoyotl’s native language. The various syllable signs within the script, it is proposed, facilitated the representation of his code-copying linguistic system. The Voynich script progresses from left to right, and most of its pages feature intricate illustrations or diagrams, with some even being foldable sheets. Crucially, despite extensive efforts, it has never been definitively deciphered. None of the numerous hypotheses put forth have been independently corroborated by mainstream scholarship, a circumstance that points to its deliberate obfuscation by the Watch. The underlying contention is that the cipher system employed utilizes a "verbose cipher," a technique where individual letters in a plaintext message are enciphered into groups of seemingly random or fake messages. It is believed that the first two lines of page f15v, for instance, strongly resemble how Latin numbers would appear if verbosely enciphered. 

Alberti’s sophisticated polyalphabetic encryption system was designed to modify ciphers in such a way that they would not yield texts where all shapes or symbols occurred with roughly equal probability, representing a highly advanced and sophisticated method of concealment. In this system, written "words" functioned akin to codes, requiring consultation with a pre-existing codebook for decipherment. The internal structural organization of the Voynich Manuscript bears a notable resemblance to Roman numerals, which, at the time of its creation, would have been G's natural choice for coding. The manuscript is believed to contain a meaningful text that was intentionally rendered obscure by being mapped through one of G's intricate ciphers. This cryptographic algorithm operates on individual letters. Given that traditional book-based ciphers generally contained short messages, they were inherently cumbersome to write and read, which further reinforces the idea that without foreknowledge of specific codes, any attempt at decipherment would be futile. This deliberate obfuscation, however, was not necessarily intended for absolute, perpetual secrecy. Instead, the cryptograms embedded within texts like the Voynich Manuscript served a dual strategic purpose: they functioned either as a highly selective means of communication reserved for authorized operatives across generations, or as a sophisticated testament to the intellectual mastery and foresight of the Watch, deliberately left for a future audience capable of discerning its hidden layers.