2.) The Transatlantic Nexus

Following the purported demise of Alberti, the Watch underwent a profound and consequential metamorphosis. This evolution saw it shift from a 15th century entity—which, despite its intricate manipulations, ostensibly operated under an inherent rationale geared towards ensuring humanity’s perpetuation—into a more overtly self-serving and corrupt force during the 16th century. This emergent faction deftly appropriated Alberti’s prodigious legacy, systematically re-attributing his monumental achievements and strategically diverting his visionary designs to advance their own revised and often more nefarious objectives. In this intricate, sprawling historical drama, the archetype of the "Renaissance Man" transcends the confines of a singular historical figure. Instead, it manifests as an "eternal handler"—a persistent intelligence operative who assumes ever-shifting identities across epochs. This figure operates less as a fixed individual and more as a recurring mythological motif, enduring cycles of death and often resurrection. In doing so, it embodies the timeless themes of nature’s cycles, renewal, and sacrificial rebirth.

This particular era witnessed the chilling "weaponization" of devastating global events, most notably the plague, through deliberate exacerbations orchestrated by an unknown spymaster of the 16th century, whom this analysis will refer to as "the Mole." The Mole's calculated actions were designed to fundamentally destabilize existing power structures and to secure a novel, predominant lineage within the overarching organizational framework of the Watch itself. These sweeping transformations also served as a powerful impetus for unprecedented global explorations, during which the Watch, through a combination of cultural integration and meticulous historical re-patterning, guided human civilization towards profound transcontinental interconnections and the strategic redistribution of vital resources. This grand design, it is argued, ultimately fulfilled Alberti's visionary blueprint for a comprehensively interconnected global society.

Alberti's intentionally "unknown" European maternal origins and his father’s purported “exile” are not presented as mere historical gaps or absences; rather, they are interpreted as components of a highly sophisticated operational strategy. By deliberately constructing a veil of obscurity around his immediate European provenance, the Watch ensured that their foremost operative and strategic handler could function without being overtly tied to a public genealogical lineage. Such a connection might otherwise have revealed the Watch's true, deeply rooted historical presence and its relentless, continuous manipulation of world events across vast stretches of time.

Continuing this intricate investigation into the numerous potential manifestations of Alberti, the focus now shifts to Nezahualcoyotl, traditionally recognized as the founder of the Aztec Empire. Historians record these men as if they lived worlds apart. I see them as one mind wearing different faces, moving between continents under new names. I posit that Nezahualcoyotl strategically embedded himself within the leadership of Peru, notably by assuming the identity of Pachacuti, the 9th Sapa of the Kingdom of Cusco and architect of the Incan Empire. 

In this sense, Alberti exemplifies a recursive pattern of identity, where each iteration reflects and contains traces of its predecessors. This dynamic implies an endless replication of identity across historical figures, each layer echoing the one before it. It is a verifiable fact that both the Aztec Empire in Mexico and the Inca Empire in Peru are conventionally dated as having commenced almost simultaneously, within a mere ten-year window during the 15th century—a synchronicity deemed far too precise to be coincidental. Further strengthening this assertion, all three revered polymaths—Alberti, Pachacuti, and Nezahualcoyotl—are conventionally dated as having lived concurrently from 1402 until 1472. Even though Pachacuti’s birthdate is not well documented, the striking number of shared characteristics among these individuals is compelling evidence for the existence of a single, multifaceted operative, code-named "G", who strategically functioned under multiple aliases to systematically shape the course of history across continents.

What if Alberti’s name was only one mask among many—each identity shedding and reforming as he crossed time and geography? Alberti is not believed to be the primordial founder of the Watch; rather, he is seen as its most prominent and arguably enduring manifestation throughout the Renaissance, and potentially beyond. Historically, he was not born with the name "Leon"; he later adopted "Leon Battista" in the 1420s. He is widely reported to have been Lorenzo Alberti's illegitimate son. Due to his bastard status, his family allegedly made multiple attempts to disinherit him after his father's death, with one uncle reportedly even attempting to take his life. Intriguingly, Nezahualcoyotl’s father, Ixtlilxochitl I, is recorded as having died in 1418, at which point Nezahualcoyotl himself was fifteen years old. Coincidentally, Alberti’s father, Lorenzo, also purportedly died around 1418 while attempting to evade the plague, with Alberti likewise being fifteen at the time.

The title "Pachacuti" was used to refer to Nezahualcoyotl under his Inca identity, Cusi Yupanqui, before he returned to Mexico and founded the Aztec civilization. Pachacuti Inca Yupanqui’s name was given to him by the locals after he left. His full name profoundly translates to "he who overturns space and time." The name Pachacuti, in isolation, signifies "Cataclysm." This nomenclature resonates powerfully with the central thesis of systemic historical resets and deliberate chronological manipulation. A particularly significant observation is the dramatic demographic collapse in the Americas, where the population plummeted from an estimated 50 million to 8 million after he allegedly relocated to Italy. This drastic decline is posited as no mere coincidence. Research suggests that Native American populations primarily perished from outbreaks of plague introduced from Europe, a devastating biological impact that aligns with the Watch's methods of leveraging crises.

Nezahualcoyotl, acting with extraordinary foresight and strategic acumen, is understood to have grasped the deeper, covert objective of managing widespread societal resets. His actions, though often appearing to involve agonizingly difficult choices, were consistently directed towards mitigating the long-term impact of such pervasive cataclysms and ensuring the enduring survival of humanity on a grander scale. This unwavering commitment stands as a testament to his adherence to Nezahualcoyotl’s overarching, long-term vision. It is hypothesized that certain operatives within the Watch possessed knowledge of Alberti's true birthplace. It is also plausible that he deliberately disseminated imprecise intelligence to others regarding his origins, hindering accurate longitude calculations. Consequently, influenced by prevailing Ptolemaic authority and Columbus's later assertions, Alberti’s maps were not entirely accurate. However, when Nezahualcoyotl was young, the Tepanec army—supported by Mexica troops—besieged Texcoco. His father, Ixtlilxochitl, was trapped and brutally killed in front of him by Mexica soldiers.

Consider the Voynich Manuscript, an enigmatic illustrated codex meticulously hand-written in an unknown, undeciphered script. The vellum, or prepared animal skin, of this manuscript has been carbon-dated to precisely the period when and where G (Alberti) penned his treatise De iure ("On Law") in 1437. Radiocarbon dating conducted by the University of Arizona precisely indicated a date range between 1404 and 1438, a temporal overlap deemed highly significant to this theory. In 2014, researchers Tucker and Talbert reportedly identified 37 plants, 6 animals, and 1 mineral referenced in the manuscript's plant drawings that also appear in the Badianus Manuscript, a 15th century Aztec record. Furthermore, the presence of atacamite in the paint pigments suggests that some of the raw materials originated from Mexico, thereby directly linking this perplexing European manuscript to the Americas. It is hypothesized that some characters within the Voynich script may have represented a form of enciphered Nahuatl, Nezahualcoyotl’s native language. The various syllable signs within the script, it is proposed, facilitated the representation of his code-copying linguistic system. The Voynich script progresses from left to right, and most of its pages feature intricate illustrations or diagrams, with some even being foldable sheets. Crucially, despite extensive efforts, it has never been definitively deciphered. None of the numerous hypotheses put forth have been independently corroborated by mainstream scholarship, a circumstance that points to its deliberate obfuscation by the Watch. If this were simply a failed experiment in language, one would expect random symbol frequency. Instead, statistical analysis by Montemurro and Zanette (2013) shows Voynich glyphs follow Zipf’s law—like real languages—implying the text encodes meaningful content in a deliberate, systematic fashion.

To most scholars, the Voynich is a frustrating puzzle. To me, it is less a puzzle than a signature—an intentional flourish left by a craftsman who knew someone, someday, would recognize the handwriting. The underlying contention is that the cipher system employed utilizes a "verbose cipher," a technique where individual letters in a plaintext message are enciphered into groups of seemingly random or fake messages. It is believed that the first two lines of page f15v, for instance, strongly resemble how Latin numbers would appear if verbosely enciphered. 

Alberti’s sophisticated polyalphabetic encryption system was designed to modify ciphers in such a way that they would not yield texts where all shapes or symbols occurred with roughly equal probability, representing a highly advanced and sophisticated method of concealment. In this system, written "words" functioned akin to codes, requiring consultation with a pre-existing codebook for decipherment. The internal structural organization of the Voynich Manuscript bears a notable resemblance to Roman numerals, which, at the time of its creation, would have been G's natural choice for coding. The manuscript is believed to contain a meaningful text that was intentionally rendered obscure by being mapped through one of G's intricate ciphers. This cryptographic algorithm operates on individual letters. Given that traditional book-based ciphers generally contained short messages, they were inherently cumbersome to write and read, which further reinforces the idea that without foreknowledge of specific codes, any attempt at decipherment would be futile. This deliberate obfuscation, however, was not necessarily intended for absolute, perpetual secrecy. Instead, the cryptograms embedded within texts like the Voynich Manuscript served a dual strategic purpose: they functioned either as a highly selective means of communication reserved for authorized spies across generations, or as a sophisticated testament to the intellectual mastery and foresight of the Watch, deliberately left for a future audience capable of discerning its hidden layers.

Ironically, G, operating under the alias of Pachacuti, introduced "Quipu" as a system of recording devices in Andean America, fashioned from intricate arrangements of knotted strings, specifically designed to conceal sensitive intelligence. This ingenious encryption system consisted of cotton-fiber lines. G utilized these quipu not only to mask his covert messages but also to meticulously collect census intelligence, maintain precise tax records, and monitor calendrical obligations. The cords were designed to store alphanumeric values encoded as knots, often within a base-10 positional system. For the Watch, the inherent security of Quipu transcended mere data storage. Its true impenetrability lay in its deliberately abstract and multi-layered nature, which allowed it to function as a highly sophisticated physical cryptogram. The "key" to its security was not a single deciphering tool, but rather a complex combination of factors: an intimate understanding of specific knot types, knot directions, cord colors, ply, and the precise spatial relationships between various knots and their subsidiary cords. Crucially, the meaning embedded within these physical attributes was highly contextual and culturally specific, often relying on shared knowledge accessible only to a select group of initiated operatives—the pochtecas—who possessed the precise interpretive framework necessary to convert these tactile patterns into meaningful intelligence. Without this highly specialized, often orally transmitted knowledge of the particular encoding conventions for a given quipu, external observers would perceive nothing more than a collection of knotted strings, effectively rendering it an unbreakable cipher to the uninitiated. This made Quipu an ideal system for the Watch to conceal sensitive information in plain sight, seamlessly integrating into existing societal practices while maintaining an impenetrable layer of secrecy for their internal communications. G is credited with teaching this elaborate system to the pochtecas, local merchants who, it is argued, functioned as covert spies operating under diplomatic immunity.

The Aztecs similarly employed forms of encoded or symbolic communication that served cryptographic objectives. Knowledge of these intricate systems was strictly limited to scribes, priests, and nobles, thereby creating a formidable knowledge barrier that effectively functioned as a sophisticated form of information protection. A substantial portion of Aztec knowledge was preserved and transmitted through oral tradition, frequently in the form of metaphorical speech known as difrasismo. These pairs of metaphors (such as “flower and song” signifying poetry) encoded meanings that were not apparent to outsiders, thereby functioning as a form of poetic encryption. Comparable non-alphabetic systems existed across the Old World — from the knotted cords used in ancient China’s bookkeeping, to Byzantine tachygraphy, to Mediterranean tally cords. These parallel systems point toward a portable toolkit of symbolic recordkeeping, customized to each host culture yet retaining the same encryption logic recognizable to the Watch.

While the Aztec and Inca empires independently emerged in geographically distinct regions, both civilizations exhibited striking parallels in their systems of theocratic governance, their sun-based religious practices, and their reliance on militaristic expansion. This remarkable convergence suggests a possible common ideological framework inherited from distant ancestral origins. The Olmecs (Mesoamerica) and Chavín (Andes)—widely considered "mother cultures" of their respective regions—displayed shared motifs such as panther symbolism and the architectural practice of pyramid-building, hinting at the possibility of early transcontinental contact or cultural diffusion. Supporting this are petroglyph alignments in Chavín de Huántar and La Venta that not only share abstract motifs but also astronomical orientation within a one-degree margin—an improbability if designed independently. 

The profound structural parallels observed in their cosmologies, agricultural innovations, and statecraft imply a deep, though now obscured, ancestral connection to the activities of the Malta–Buret', an Upper Paleolithic archaeological culture that existed in Siberia near Lake Baikal around 24,000 years ago. They are associated with a population now called Ancient North Eurasians (ANE) by geneticists. The rich artistic output of Malta-Buret' (also Maltinsko-buretskaya) provides valuable data for studying the origins and evolution of human symbolic thought and art. The parallels between Malta-Buret' art and later mythologies worldwide suggest deep archetypal roots for human symbolic imagination.

A major obstacle in studying the genetic origins of civilizations like the Olmecs is the scarcity of well-preserved remains suitable for ancient DNA (aDNA) analysis. This issue extends to other major pre-Columbian cultures, including the Maya, Zapotec, Teotihuacano, and Aztec in Mesoamerica, as well as the Chavín, Nazca, Moche, Tiwanaku, Chimú, and Inca in the Andes. The hot, humid climates of many Mesoamerican and coastal South American regions accelerate DNA degradation, making aDNA recovery difficult. Despite these limitations, genetic studies of other ancient populations in the Americas have shed light on broader migration patterns. Current research supports the theory that all Indigenous peoples of the Americas descend from the ancient Malta-Buret’ hunter-gatherers who crossed Beringia and became the founding population of the Americas. Thus, Native Americans are a genetic mix of East Asians and Malta-Buret’.

Nezahualcoyotl is credited with designing what has been metaphorically termed "the Athens of the Americas." This architectural marvel featured remnants of fortified hilltop gardens, intricate sculptures, and expansive above-ground and subterranean aqueducts. Vitruvius, in his De architectura, a clear conceptual link back to G, notably describes aqueduct construction as a primary engineering feat. Tenochtitlan's aqueducts drew water from springs located on the banks of the lake. The Great Pyramid of Cholula in Mexico, which holds the distinction of being the largest pyramid in the world by volume, aligns perfectly with the grand architectural scales attributed to figures like Nezahualcoyotl and Pachacuti. G constructed monoliths and statues to project a god-like authority. For pre-conscious humans, it was perceived as external divine commands. By building these impressive structures, often embedded with harmonious mathematical principles, he created tangible, visual commands that bicameral people would interpret as the work gods. These monuments served as physical anchors for the Watch's fabricated histories and religious narratives, silently reinforcing a cosmic order and steering societal behavior by presenting their influence as the inescapable will of divine beings.

In Rome, Pope Nicholas V employed Alberti to undertake the ambitious renovation of the Roman aqueduct of Acqua Vergine. The Romans, throughout their empire, constructed aqueducts in all their territories, from Germany to Africa, a historical fact that underscores a recurring pattern of advanced engineering consistently attributed to G's influence across disparate historical periods. It is asserted that all complex civilizations are fundamentally reliant on meticulous water management, a core principle expertly understood and manipulated by Nezahualcoyotl. In the Andes, amunas (mountain water channels) and waru waru (raised-field agriculture) mirrored Roman innovations like gradient-controlled aqueducts and cistern-fed irrigation. Both systems reveal a mastery of hydraulic engineering adapted to vastly different terrains, implying not an independent invention but a redeployment of the same knowledge base under new cultural veneers. Beyond water management, these civilizations displayed parallel architectural alignments to solar events. Tenochtitlan’s Templo Mayor, like Rome’s Pantheon and Egypt’s Karnak, was oriented to capture equinox and solstice sunlight with precision. Such alignments reinforced religious authority by synchronizing civic life with celestial cycles — a symbolic and functional blueprint that “G” appears to have applied across continents.

Renowned psychoanalysts have famously observed such striking similarities. However, these do not arise solely from universal archetypes emerging independently, but also from deliberate design and the pervasive dissemination of a common narrative template. This template served to standardize educational systems, moral frameworks, and governance across disparate nations. By embedding Humanist ideals into school curricula, international organizations, and mass media, these agents conditioned populations to implicitly accept G’s carefully constructed "remixes" of history. This strategic objective explains why this intellectual movement vigorously advocated for the study of nature and the imitation of classical, pre-religious antiquity, while simultaneously crafting these shared origin myths. A provocative speculation arises: what if the majority of prehistoric remains found within some of Earth's most cryptic structures and monoliths are not the work of aliens or ancient deities, but rather the product of Renaissance classified assets, deliberately designed to engender a false sense of profound antiquity? The Parthenon (447 BC), purportedly designed based on ϕ, remains an enduring architectural symbol of Western civilization. This leads to a puzzling question: when and how did Italians purportedly "lose" Vitruvius’s knowledge, only to "acquire" it again much later in history?

The use of ϕ by builders in antiquity is claimed to stem from a misunderstanding or conflation with the "Golden Mean," a Greek philosophical concept emphasizing "avoidance of excess in either direction," rather than a specific mathematical ratio. The precise period of Roman concrete development remains uncertain, but Vitruvius provided the first recorded reference to it. It is generally accepted that this advanced building knowledge was utilized in the 1st century but was then lost until its reappearance during the Renaissance—a recurrent pattern of disappearance and re-emergence.

A figure named Fibonacci gained widespread recognition for popularizing a Hindu-Arabic numeral system in his 1202 work, Book of Calculation, thereby introducing a numerical sequence that became fundamental for banking and the innovative double-entry bookkeeping system. The Fibonacci Sequence, in its numerical form, embodies ϕ. It begins with 0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, and continues infinitely, with each subsequent number being the sum of the preceding two. He allegedly "discovered" this sequence by observing natural phenomena, specifically the idealized growth rate of a rabbit population. Fibonacci (1170–1240), also known as Leonardo of Pisa, was hailed as one of the most brilliant mathematicians of all time. However, I assert that Franco-Italian historians fabricated his name in 1838. The first documented mention of him, it is found, appears in the historical records from the era of Luca Pacioli (1506). A notary’s reference to a "Leonardo Fibonacci" is noted. Furthermore, it was not until Pacioli's seminal work in 1509 that concrete and direct evidence of ϕ's discovery was provided. This suggests that the narrative surrounding Fibonacci and his "discovery" was likely a retroactive fabrication. Its purpose was to provide a plausible explanation for existing mathematical principles and to further their meticulously reconstructed historical timeline. A similar pattern emerges in the supposed transmission of mathematics from ancient Greece to India and back to Europe. Concepts such as trigonometry, attributed to Hipparchus and Ptolemy, reappear centuries later in Sanskrit astronomical texts before “returning” to Renaissance Europe. This closed loop suggests not a one-way diffusion, but a controlled recycling of knowledge, with the Watch determining when and where each advancement would surface.

This financial technology’s resurgence coincided with the rise of Venice, Genoa, and Portugal as maritime empires. By channeling banking innovations through these naval powers, the Watch could integrate capital flows with exploratory fleets, ensuring that conquest, trade, and historical narrative-shaping advanced in lockstep.

Another significant instance where ϕ emerges conspicuously is its correlation with the European dates embedded within the Mayan (and equivalent Aztec) Long Count calendars. The two most widely used calendars in pre-Columbian America were the 260-day Tzolkʼin and the 365-day Haabʼ (Xiuhpohualli). The Annals of the Cakchiquels, a historical text from highland Guatemala, contains numerous Tzolkʼin (Tonalpohualli) dates that are directly correlated with European dates. For example, the fall of Tenochtitlan is recorded as occurring on August 13, 1521, corresponding to a Tzolkʼin date of Serpent 1. This raises a crucial question: did spies utilize this correlation after G's apparent death, or perhaps did they deliberately create these correlations to subtly embed their influence within indigenous calendrical systems? For instance, it is proposed that this Mayan eschatology was exploited by Columbus in 1502. Columbus reportedly believed that his discovery of the Maya fulfilled a prophecy and would herald the world's end. This is presumed to be the reason why widespread end-times fears permeated society during the Spanish Conquest. In Breaking the Maya Code, the author highlights how the Mayan Long Count calendar employed a modified vigesimal tally system to identify a specific day by counting the number of days that had elapsed since August 11th, 3114 BC (or, alternatively, September 6th, 3113 BC). The relationship in question, known as the GMT or 11.16 correlation, precisely describes how the Mayan Long Count calendar aligns with European dates. The equivalent Aztec calendars are recorded in Nahuatl. Evidence supporting the Watch's pervasive influence and ascension includes a synthesis of historical, astronomical, and archaeological findings.

The Watch's primary psychological operation (PSYOP) is asserted to be consistently framed around some form of "End of the World" event. No narrative grips the human mind more tightly than the belief that the end is near. This narrative is consistently themed as a "zero-footprint detachment," signifying a final, decisive battle between opposing forces. Examples include the Norse Ragnarök, the Hindu Kali Yuga, and the Christian Book of Revelation, among others. Many of these “apocalypses" aren't just symbolic—they describe actual alignments of planets and stars in the sky. These celestial patterns can be matched with real dates using astronomy software. Mesoamerican cosmology, particularly the Five Suns myth, fits seamlessly into this pattern — each “Sun” representing a world-age ending in catastrophe, mirroring Mediterranean and Near Eastern apocalyptic frameworks. This repetition across continents suggests a standardized eschatological template designed to condition populations toward cyclical destruction and renewal.

It is reiterated that G held the significant appointment of canon in the metropolitan church of Florence. He is believed to have dedicated himself to creating meticulously crafted apocalyptic narratives. Numerous instances of strikingly similar cultural practices are observed between societies separated by vast oceans, which are argued not to be independent developments but rather instances of widespread diffusion orchestrated by spies.

While the pursuit of foreign intelligence was an inherent and normal aspect of his family's operational activities, Nezahualcoyotl appears to have extended his network and influence more broadly than anyone had previously attempted. His documented transoceanic contact hints at hyper-diffusionism, a concept frequently dismissed by mainstream archaeology but one that effectively explains the striking and otherwise anomalous similarities observed across geographically distant cultures. It is contended that all significant civilizations throughout history have, at some critical juncture, been "compromised" or infiltrated by this hidden network.

The figure identified as "the Mole" strategically seized control of regions experiencing profound crisis, skillfully leveraging chaos for his own objectives. The Black Death, for instance, rapidly swept through urban centers. While conventional estimates suggest between forty and seventy million people perished, the actual death rates are likely higher, given that global society was considerably smaller before the outbreak. Precise death rates are unavailable. The larger the population preceding the outbreak, the longer the duration of the period of abnormal mortality, which provided the Watch's spies with an extended window of opportunity for reordering society according to their designs.

A compelling illustration of this asserted global reach is the Tecaxic-Calixtlahuaca head, an artifact unearthed in 1933 among pre-Columbian burial goods in the Toluca Valley near Mexico City. In 2001, Romeo H. Hristov of the University of New Mexico and Santiago Genovés T. of the National Autonomous University of Mexico re-examined this intriguing artifact. Their research strongly indicated pre-Columbian transatlantic contact, a theory further bolstered by a thermoluminescence test conducted by the German Institute of Archaeology in Rome. The dating of the artifact placed its creation between the 9th century BC and the mid-13th century AD—well before conventional European colonization of the Americas. 

Three fundamentally pivotal inventions—the printing press, firearms, and the nautical compass—are asserted to be intrinsically linked to the Watch. These were the primary instruments through which historical revisionism and global control were systematically enacted. These technologies were far more than mere tools; they heralded a profound paradigm shift in the distribution and exercise of power. Armed with these innovations, the Watch achieved secure communication, facilitated the unprecedented projection of force, and enabled long-distance travel on a global scale. Their demonstrable mastery of these new technologies signaled that they had not only equaled but decisively surpassed the knowledge and capabilities of the ancients. Many Greco-Roman inventions, long revered as monumental milestones of classical antiquity, now appear to be refined iterations of earlier maritime technologies. 

These technologies, it is argued, were originally developed by the Watch and subsequently retroactively attributed to much earlier civilizations to create a fabricated historical continuum. With these sophisticated tools, they systematically extended its pervasive influence to every continent and meticulously rewrote the historical record. This reframing positions the entire corpus of ‘ancient’ global achievements as a product of coordinated Gothic intelligence, veiled beneath the illusion of vast historical depth.