BONUS CHAPTER What is Dynamic Body Art Therapy?

The law prevents me from making definitive claims to heal someone, so I can't go down this road too far. Nonetheless, I can paint a more comprehensive picture of what we do. The core of this work is the art of what we in the west call geomancy, defined as any metaphysical treatment that relates to the Earth.

It's alluring to realize how burying or impaling certain symbols over negative electromagnetic tracts, such as the Hartmann lines, prevent ill effects from these waveforms being so close to home. Science can prove that by welding a copper, silver, gold, or platinum wire into a particular symbol and then planting it in a specific fashion, you instantly divert the flow of nasty energy away from areas of concern. Sadly, grids of negative electromagnetism lie under houses, destroying entire families yearly, all entirely under the radar. Luckily, we have a variety of grids, most of which are formed by means independent of each other and have very good resonances. Once you discover how our bodies anatomically correspond to our planet, it won't be long before you take in the significance of what we are doing here. We aim to orient the human being by encouraging.

Governments set their bases on the nodal points in and around our planet's electromagnetic matrix. Why can't we apply these same principles to our bodies? The work of Carl Munck and Drunvalo Melchizedek introduced me to this very complex and calculated system. Ivan Sanderson refers to Vile Vortices (points) where boats, choppers, and aircraft have disappeared for decades. Motivated by diverse intentions and with the help of natural cymatics, top-notch life forms laid out monuments containing these mathematical sequences across the globe.

Crucial to understanding what you're reading is a healthy belief system for attributing spiritual value to the primary forms embedded within all of space and time. Such shapes and proportions are perceived as holy because, as generation after generation has confirmed, one gets closer to God while working with them. It stands to reason that the building blocks that structure our reality adhere to consistent patterns of numbers. The introduction of ley lines and Bau-Biologie has helped me deliver a modality 10,000 years in the making.

It must be said that nature works its geomancy on both our spirit and the land. What we are doing is altering that. It's all synthetic. It would be best if you took that in. We know that some use this to serve themselves, while others uplift their communities. The fact is it's being used, so only you can decide how you'll work with it—or not. Will we sit around and let demonic forces apply this information to destroy Earth, or will we utilize it to support and protect her? This is a matter of free will, perhaps the most crucial aspect of the human condition. We're talking about using something inherently malevolent to summon freedom and justice. Think of a vaccine and how doctors shoot us up with an altered strand of a virus to get rid of our illness: we are becoming the medicine the same way.

Dynamic Body Art Therapy is all about implanting, tattooing, and piercing structures in and on the body to enhance the function of humanity's spirit. I'll be the first to admit this craft is taken straight from the handbooks of tyrants. I reverse-engineered the bad guys' material for the greater good. This parallels what our "caretakers" did with the landscape of the Earth—and what our oppressors did when setting up their headquarters and designing the geometry of our urban cities to enslave the communities that inhabit them. I find it interesting that most real crop circles mirror these exact designs. We are pulling energy from the third dimension to the fourth. This drastically affects the flow of points, both inside and out.

Before these bastards got organized, it was well noted that all manufactured creations that applied these principles were functionally and aesthetically superior to those that didn't. Perhaps this element of intrinsic harmony led many old-school artists of the past to depict such numerical templates in their art. The question is, why isn't this a priority anymore? In today's academies, most art students are taught that using this logic in art kills the living effect. I think the enemies of humanity advance this school of thought to separate us from our natural free-flowing awareness further.

It appears as though humanity is subject to a force that tries to block out our right-brain functions, forcing us to resort more to our left brain—which happens to be better suited for slavery. Massive energy vampires placed over specific land meridians suppress the human race. Yet the fact that our body contains the exact blueprint suggests we can "hack" each other, using the same methodology for a far less nefarious purpose.

Regarding holistic forms of body art, cultures across the globe laid the foundation long before my generation. Our practice encompasses elements of many coveted alternative systems, such as Asian acupuncture and the ancient Indian system Vastu Shastra. Early Tibetan people tattooed Mandala Wheels with medicinal dyes over their chakras. One of the oldest discovered preserved humans—Ötzi, or the "iceman," as he is best known—was unmistakably tatted up over, oddly enough, the energy systems with which we work. Radiological testing revealed these areas bothered him; scholars conclude the tats were used as pain treatments for Ötzi's back problem. And think about African tribe members with filed tusks rammed through their nostrils or the elder who decides to stretch his ears and extend his lower lip half a foot. Why are they doing this? Are they tapping into abstract styles of consciousness?

I believe they are far more advanced than "modern man" gives them credit for. In the Philippines, tattoos are held to have supernatural qualities and serve as divine protection. Nipple piercing dates back at least to Ancient Rome, where it was known to stimulate what we know today as hormone secretion. I find it compelling that piercing an ear in Europe during the Middle Ages was said to improve long-distance vision. Hindu women don a nose stud associated with childbirth when they hit puberty. Kama Sutra, another product of Ancient India, prescribes the insertion of pins and the implantation of objects into specific spots on our reproductive organs for excellent sexual health. The Yantra tattoo is used for good fortune in Cambodia, Laos, and Thailand. Hieroglyphics hint that royal Mayans would ceremonially pierce their tongues with thorns, funneling the blood onto the wood that would be set on fire in tribute to the higher power(s). Some of us swore allegiance to others as kids by cutting one another's hands and pressing them together to become blood brothers. Many of us were circumcised at birth. These are all examples of body modification rituals that have been practiced throughout history by both traditional and modern cultures.

One alternative health care fundamental is that the body is an outward expression of what's happening within the spirit and, in some way, the entire universe. To encapsulate everything my work stands for under one umbrella, I had to compromise a value and name this modality. I call it Dynamic Body Art Therapy. In short, Dynamic Body Art Therapy describes various medicinal body art practices utilized for centuries that are now coupled with modern technology. Whether or not our ancestors were thinking in terms of Lovelock and Margulis Gaia's hypothesis fused with Alfred Watkins's work on "interconnected ritual landscapes' 'superimposed over human bodies is neither here nor there. The fact is, our symbols and their locations are remarkably similar. Again, we deal with the sequences and ratios found everywhere our eyes have traveled—from deep within our oceans to way out there in the far reaches of our universe.

Ironically enough, human and celestial bodies both fit the same mold. Our subtle energy system correlates directly to the same ratios we speak of. This in itself is a remarkable revelation. Then, when we begin to cut our teeth on some of this stuff, we realize the Earth shares the same makeup. By studying the smaller expressions of life, we are simultaneously learning about the larger ones. Existence seems to repeat itself on every level.

The principles of our work can be seen everywhere, from the pyramids at Giza and stars on the U.S. dollar to the template used for Leonardo Da Vinci's The Last Supper. Anything we apply this universal knowledge to, our body, in this case, will look better and last longer. When such fundamentals govern our homes, we create spaces that enhance ourselves and anyone who steps inside; this is commonly referred to as the practice of Feng Shui. Once we uncover the nature of each form and its hidden vibrational resonances, we see what its creators were doing and why. Whoever designed these mystical landscapes understood this.

They also understood the potential of the stone. Masons of the highest, thirty-third degree, built a society because rocks have electrical capacitance. This allowed them to cage memory and vibration in ways I can't understand yet. I don't think 99.9 percent of the Masonic population get it themselves. Sound has been said to move blocks of stone for centuries. This explains the possibility of placing such large structures over Earth's chakras long before modern technology came about.

Stones have long been acknowledged as communication between humans and nonhumans. Spiritual leaders have placed vibration in chains and bracelets throughout the ages. Stones are said to behave as carriers for the sun's rays as well. With advanced quantum energy harbored at Light Stream Technologies, David Sereda has found a way to reproduce these same effects in jewelry using his proprietary wave generators. Crystals are organic life forms. Like us, they are very receptive to a variety of waveforms.

An excellent example of this is in antique radios, where tiny wires hit quartz slabs to broadcast the stations. Most stones have metallic platelets embedded within them that attract various energies depending on their natural constitution and how they are programmed. Indeed, once you start programming harmonic codes in these bad boys, all fascinating events unfold.

It's hard for many people to equate spirituality to piercings and tattoos. Some believe body art is forbidden based on Leviticus 19:28, which says, "You shall not make gashes in your flesh for the dead, or incise any marks on yourselves: I am the Lord." Biblical scholars, including very prestigious rabbis, priests, and imams, interpret this as a general prohibition on body modification that does not serve a medical purpose. If that's the case, then my work here is justified.

Moreover, I believe that because technology prevents us from utilizing magical powers naturally, it's our responsibility to integrate our biology with these innovations, lest we lose these abilities for good. We also use transcranial magnetic stimulation devices, cybernetic prosthesis, sensory deprivation chambers, neurofeedback machines, synthetic drugs, and dozens of other pathways to progress our culture further and protect the planet. It's all part of Dynamic Body Art Therapy.

This summary has concentrated on the rudimentary stages of treatment. If it's something you wish to explore further, you should check out my first book, Leaving a Mark. Again, it's a matter of how far down this path you're willing to go. As I mentioned, I've developed a think tank connecting bearers and creators of indigenous, modern, and post-human modifications. However, beneath the surface, we're an online guild bringing body art back from its source—medicinal practice.

—Michael